Play Along Piano

Tags

Baroque

Vivaldi's Two Ellipses

Jayden Fung

1:00	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	2	2	95%
Violin I	23	1	8	8	76%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	2	2	95%
Violin I	23	1	8	8	76%
Violin II	21	1	5	8	71%
Violin	11	2	3	10	48%

First fugue (WIP)

crossblade

1:28	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	2	2	5	92%
		11	2	0	3	47%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	2	2	5	92%
		11	2	0	3	47%

Thunderstruck (Intro) by 2Cellos

KellerHands

1:24	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	2	2	100%
		18	4	4	1	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	2	2	100%
		18	4	4	1	98%

Venice

kozmaf27

1:13	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	15	6	3	93%
	14	8	3	3	100%
Violin	14	4	4	5	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	15	6	3	93%
	14	8	3	3	100%
Violin	14	4	4	5	76%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

Baroque_Spanish_Flea

joseph28801

1:25	Est. Play Time
130	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	23	0	7	5	98%
Contrabass	16	0	2	3	45%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	23	7	5	98%
Contrabass	16	2	3	45%
Violin I	10	1	3	36%
Violin II	13	3	3	19%
Violoncello	10	3	1	17%

HWV8A1N3 - "Ah! Infelice mia patria," Act 1

edward.maurath

1:25	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	23	7	3	100%
	11	0	5	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	23	7	3	100%
	11	0	5	3	100%
Amarilli	13	0	5	3	100%
Violoncello	11	0	5	3	100%

HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744

edward.maurath

1:18	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	13	14	6	3	91%
	17	16	6	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	13	14	6	3	91%
	17	16	6	3	100%
Cello	15	0	3	3	100%
NITOCRIS	13	0	4	5	65%
Daniel	11	0	3	3	35%

J.S. Bach - Choral "Aus Tiefer Not Schrei Ich Zu Dir", BWV 38

Joâo Schnier

1:07	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭	7	0	0	4	100%
	11	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭	7	0	4	100%
	11	2	3	100%
	10	2	3	100%
Clarinette Basse	13	2	3	100%

Shepherd, Leave Decoying

ZFortunato20

1:16	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	12	3	3	100%
	13	0	1	4	100%
Violin	9	0	1	4	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	12	3	3	100%
	13	0	1	4	100%
Violin	9	0	1	4	100%

HWV19N9 - Sinfonia in g minor

edward.maurath

1:00	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
Bassoon Continuo	16	0	2	5	100%
Contrabass Continuo	16	0	2	5	100%
Viola	12	0	1	5	100%
Violoncello Continuo	16	0	2	5	100%
Vln 1	14	0	3	8	100%
Vln 2	13	0	3	7	100%
Oboe	19	0	5	8	94%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

BWV 245 N 22 - Durch dein gefängnis, Gottes Sohn muß uns die Freiheit kommen

edward.maurath

1:00	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	14	23	4	4	100%
	14	1	3	2	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	14	23	4	4	100%
	14	1	3	2	100%
Alti	12	0	3	2	100%
Bassi	13	0	3	2	100%
Bassono Grosso Continuo	14	0	3	2	100%
Bassoon Continuo	14	0	3	2	100%
Contrabassi Continuo	14	0	3	2	100%
Flauto Traverso	8	0	0	3	100%
Oboe	8	0	0	3	100%
Organo Continuo	14	23	4	2	100%
Soprani	8	0	0	3	100%
Tenori	12	0	2	4	100%
Viola	12	0	2	4	100%
Violin 1	8	0	0	3	100%
Violin 2	12	0	3	2	100%
Violoncelli Continuo	14	0	3	2	100%